Welcome to the fourth and final installment in our series on how to mix live sound, co-presented by Performer Magazine and Yamaha. READ PART ONE:...
Welcome to the first in a four-part series on getting better live sound, co-presented by Performer Magazine and Yamaha. In this installment, we’ll take a...
[Before we get into the meat of this month’s article, I’d like to start responding to readers’ questions. Please email me your questions or topics...
How to Properly Prep Your Tracks for a Successful Mixing Session [Before we get into the meat of this month’s article, I’d like to start...
How To Maintain Perspective in The Limitless Realm of Digital Recording As we find ourselves moving fast along the digital highway, there has never been a more...
The Changing Relationships Of Modern Music Production Know your role and understand theirs to optimize studio relationships and results Technological issues have you stressing over...
This month Performer Magazine presents another in a long line of spectacular issues, featuring the equally spectacular Bassnectar on the cover. ALSO INSIDE: interviews with...
The first thing to understand about music is that it’s completely subjective. You might make music for yourself, you might make music for an audience,...
July 1st marks the grand opening of Converse Rubber Tracks studio in Boston, making it Converse’s third permanent recording studio worldwide. At the feet of their World Headquarters...
DIGITAL, YOUR GRANDPA & TAPE’S CHARM Tape machines are like your grandfather. They’re old, and cranky, and require patience and tender loving care. But just...