Benjamin Ricci

Soundstripe VP Jay Harren on Music Licensing and the Perks of Royalty Free Tunes

Have you ever made a video, found the perfect song to match the vibe of your creation, and excitedly publish it to your YouTube channel only to receive a notice from YouTube stating that you are in violation of copyright law and that they must take down your video...

Record Review: Pretend Surprise

Pretend Surprise HOTmath Wilmington, NC (Self-released) “Colorful math rock” HOTmath sounds like the epitome and the perfect name for a math rock album, but the Wilmington group Pretend Surprise has...

Record Review: Poor Moon

Poor Moon Illusion EP Seattle, WA (Sub Pop) “Sub Pop supergroup’s jangly ruckus” What happens when members for Fleet Foxes, Crystal Castles, and The Christmas Cards join forces? You get Poor Moon,...

Record Review: Neara Russell

Neara Russell Noise and Silence Los Angeles, CA (Nerve-O Records) “Sharp piano hooks and swirling electronics” Combining the rich sound of a grand piano with everything from toy drums to synthetic...

Record Review: Mark Lanegan

Mark Lanegan Blues Funeral New York, NY (4AD) “Sin-soaked growl and lyrics brimming with mystical, surrealist imagery” Those who have followed Mark Lanegan throughout the course of his multifaceted...

Record Review: Lux

Lux We Are Not The Same Seattle, WA (Self-released) “Heavy, dreamy pop with an occasional dark side” David Chandler and Leah Rosen are Lux, the Seattle-based duo making their full-length debut with...

Record Review: Jasmine Ash

Jasmine Ash Beneath the Noise Los Angeles, CA (Lip Sync Music, Inc.) “Lovely dreamy synths, rainbow pop” Jasmine Ash provides fresh new life to the meaning of singer/songwriter in the female music...

Record Review: Greylag

Greylag The Only Way to Kill You EP Portland, OR (Ninth Street Opus) “A strummy, liberating acoustic-driven Americana road trip" Portland, OR folk duo Greylag is Andrew Stonestreet and Daniel Dixon,...