All posts by Benjamin Ricci

  • Record Review: Glass Notes

    The Glass Notes Dust and Hours Seattle, WA Produced and mixed by Robb Benson // Recorded in the Shelk project studio, Seattle, WA // Mastered...

  • Record Review: Frontier Ruckus

    Frontier Ruckus Deadmalls & Nightfalls Detroit, MI Frontier Ruckus hails from Michigan, but don’t let their geographical location fool you. Once you delve into Deadmalls...

  • Record Review: Festizio

    Festizio Hot City San Francisco, CA Recorded and mixed by Scott McDowell at Tiny Telephone in San Francisco // Mastered by Justin Weis at Trakworx...

  • Record Review: Emily Elbert

    Emily Elbert Proof Boston, MA Produced by Stephen Weber and Emily Elbert // Engineered and mixed by Stephen Weber // Mastered by Jonathan Wyner Emily...

  • Record Review: Demon’s Claws

    Demon’s Claws The Defrosting Of Montreal, QC Too often nowadays, bands try to develop a sound that is as complex as their musical tastes, and...

  • Record Review: Carnivores

    Carnivores If I’m Ancient Atlanta, GA Recorded by Mike Wright at New Street Studio, and Cyrus Shahmir at Railroad Earth // Mixed by Cyrus Shahmir...

  • Record Review: Brandi Emma

    Brandi Emma Photographic Memory EP Los Angeles, CA Produced, recorded, mixed & engineered by Tom Livemore // Mastered by Thomas Schoebel If Brandi Emma’s 2006...

  • Record Review: The Blank Tapes

    The Blank Tapes Home Away From Home San Francisco, CA Recorded to cassette tape by Matt Adams in Oakland, San Francisco and Apple Valley, CA...

  • Record Review: Bad Cop

    Bad Cop Harvest the Beast Nashville, TN “Brash, psychedelic rock ‘n’ roll exuberance”From the opening riff on “Amores Perros” to the closing drum fade on...

  • Record Review: Astral

    Astral Forever After San Francisco, CA “A dream that’s a little too familiar” Forever After sounds dreamy – and for the most part, it is....