All posts by Benjamin Ricci
Record Review: Margin Walker
Margin Walker Departure and Return Boston, MA “A beautiful, rustic, well-crafted bloody nose” Margin Walker announces the maturation and honing of their blistering riffage with...
Record Review: Junk Culture
Junk Culture Summer Friends Oxford, MS “Wait for the summer” Deepak Mantena picked the name of his sample heavy, pop/jungle project honestly: Junk Culture combines...
Record Review: Julie the Band
Julie the Band Wild As the Sky Venice, CA “Mr. Tambourine Men” It’s hard not to be whisked away into some sort of melodic beach...
Record Review: John Vanderslice
John Vanderslice White Wilderness Gainesville, FL “Matured indie legend becomes an orchestra-driven nightingale.” There’s no question White Wilderness is a mature leap forward for Gainesville...
Record Review: The Head
The Head Stockwood Atlanta, GA “Atlanta’s new power-pop powerhouse” The Head’s latest release, Stockwood, is a terrific triptych that shows there is still altruism and...
Record Review: Gunslinger
Gunslinger Early Volumes 1 Los Angeles, CA “High energy electronic trance flirts with dub without force feeding bass.” With a name like Gunslinger one might...
Record Review: Deerhoof
Deerhoof Deerhoof vs. Evil San Francisco, CA “Dissonant guitars and dance freak-outs” The electronic noise freak rock of Deerhoof always seems to march forward and...
Record Review: David Lowery
David Lowery The Palace Guards Richmond, VA “Cracker front man’s wit describes overview of life” “After 27 years I have decided it is time,” declared...
Record Review: Christ, Lord
Christ, Lord Magnalia Christi Atlanta, GA “Beautifully ramshackle” Points of light riddle the Atlanta music scene. Tracing one point back, you will find Christ, Lord...
Record Review: The Cave Singers
The Cave Singers No Witch Seattle, WA “A folk step forward” The Cave Singers return, folk goodness and all, with No Witch, an upgraded and...
