All posts by Benjamin Ricci
Record Review: Ed Masuga
Ed Masuga Let Me Tune My Heartstrings Berkeley, CA “Vintage blues and contemporary folk” As far as contemporary music goes, Let Me Tune My Heartstrings...
Record Review: Damon Moon and the Whispering Drifters
Damon Moon and the Whispering Drifters The Holy Noise EP Atlanta, GA “Dixie Damaged” Staking a claim in the crowded Southern-gothic half-acre is a risky,...
Record Review: Cloud Nothings
Cloud Nothings Cloud Nothings Cleveland, OH “Fuzzed-out, blistering guitar driven bedroom pop” Cloud Nothings is the moniker for Cleveland’s music school dropout Dylan Baldi. His...
Record Review: Brooke Fraser
Brooke Fraser Flags Wellington, New Zealand “The soundtrack to the next iPod commercial” This album feels like the soundtrack to a meaningful movie (“Orphans, Kingdoms”),...
Record Review: Bad Books
Bad Books Bad Books New York, NY “It’s okay to be sad if you sound this good” When two beloved artists come together, their respective...
GEAR REVIEW: Fender Blacktop Jazzmaster
From our December print issue. The new Mexican-made Blacktop Jazzmaster looks like a beautiful reissue of a Fender fan favorite. Sometimes though, looks can be...
Austin City Limits Roundup
We had so much fantastic coverage of the annual Austin City Limits festival that we couldn’t fit it all in the magazine. Here is another...
Record Review: Violens
Violens Amoral New York, NY New Wave is (unfortunately) an underused descriptor of current music, with a rare and welcome exception coming from Violens’ first...
Record Review: Tweak Bird
Tweak Bird Tweak Bird Carbondale, IL The resurgence of ’70s style rock duos consisting of two dudes with shaggy and vaguely out-of -style haircuts is...
Record Review: Tumbledown
Tumbledown Empty Bottle Seattle, WA Have you ever wondered what it would sound like if pop-punk and Americana/country music were melded together? Pick up the...
