Performer Magazine Reviews the Shure Wireless GLX-D Advanced Wireless Suite GLXD24R/B58 (handheld...
Benjamin Ricci
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[INTERVIEW] King Khan Distills the Power of Oakland on His First-Ever Solo Outing
Psyche-soul veteran King Khan returns to the scene with his first-ever solo record, backed by the...
Demo Taped On His Layered Recording Process and Learning How to Scale Back
Adam Alexander has a favorite pew at the Antioch Baptist Church North. It’s the one in the...
Record Review: VilleBillies
VilleBillies Appetite for Dysfunction Louisville, KY (Island Earth Music ) “Boozy, beat-laden, twangy hip-hop” If there ever was a need to record an album that glorifies the art of...
Record Review: S. Carey
S. Carey Hoyas EP Eau Claire, WI (Jagjaguwar) “Electronic post-folk done right” It’s been a big year for Bon Iver but we can only assume that band member Sean Carey’s experience contributing to Bon...
Record Review: The River Neva
The River Neva Chemistry of Holocaust Worcester, MA (Self-released) "Modern melodic progressive metal" The River Neva is just releasing their first EP, Chemistry of Holocaust, but the material...
Record Review: The Real McKenzies
The Real McKenzies Westwinds Vancouver, BC (Fat Wreck Chords) “Bagpipe punk from the Great White North” Aging gracefully is a tough thing to do, and is even more difficult when you wear a kilt and...
Record Review: The Plastic Arts
The Plastic Arts Academy Clonez San Francisco, CA (Self-released) “Serenading acoustic ballads from poetic a troubadour” “Waiting For You (To Come Dance)” opens up with a serenading master. The...
Record Review: Misja Fitzgerald-Michel
Misja Fitzgerald-Michel Time of No Reply Paris, France (Universal Music France) “Heavenly acoustic tribute to Nick Drake” This eleven-song release is a variety of primarily instrumental works that...
Record Review: Marilyn Manson
Marilyn Manson Born Villain Los Angeles, CA (Cooking Vinyl/Downtown) “A vicious and vibrant absinthe-drenched tale” Freshly independent Marilyn Manson has been among the few artists who has always...
Record Review: Jaill
Jaill Traps Milwaukee, WI (Sub Pop) “’90s Britpop on a California coastal summer drive" The infectious Milwaukee trio lends the listener something incredibly uncommon - the larkish third release...
Record Review: The Illness
The Illness A Monument To Our Gilded Age San Francisco, CA (Self-released) “A brutal tribute to prog rock, fueled by jazz-influenced instrumentation” The Illness packs more than earned comparisons...
Record Review: The Funkees
The Funkees Dancing Time: The Best of Eastern Nigeria’s Afro Rock Exponents 1973-77 Nigeria/London (Soundway Records) “Must-own Afro-funk rock (preferably on double vinyl)” This is a collection of...