The Moog Mother-32 semi-modular synthesizer is an amazing little piece of kit. Housed in a desktop...
Benjamin Ricci
The March Issue Is Out Now!
Performer Magazine releases its March 2017 issue, featuring a cover story on Lady Lamb. INSIDE...
3 Tips For DIY Recording, Touring and Band Promotion
Before anything, take time to deeply connect to the foundational reasons as to why you do what you...
Record Review: Kim Taylor
Kim Taylor Little Miracle Cincinnati, OH Written and recorded in just three days, Kim Taylor’s Little Miracle captures raw emotion. The lyrically driven album features sparse instrumentation,...
Record Review: Jon Lindsay
Jon Lindsay Escape from Plaza-Midwood Charlotte, NC Jon Lindsay dazzles his way into the limelight as one of Charlotte’s premiere musical poets, delivering his first full length, Escape from...
Record Review: John Vanderslice
John Vanderslice Green Grow the Rushes San Francisco, CA Few musicians have given as much to the Bay Area indie scene as John Vanderslice. The former frontman of MK Ultra in the latter half of the...
Record Review: The Honored Guests
The Honored Guests Please Try Again Chapel Hill, NC The last time The Honored Guests put out a full-length record was in 2006 with the experimental pop sounds of Tastes Change. Decidedly a “grower,”...
Record Review: Hannah Miller
Hannah Miller Journey to the Moon Columbia, SC Recorded and produced by Ian Fitchuk and Justin Loucks in Nashville, TN // Mastered by Richard Dodd Hannah Miller’s latest release, Journey to the...
Record Review: Glass Notes
The Glass Notes Dust and Hours Seattle, WA Produced and mixed by Robb Benson // Recorded in the Shelk project studio, Seattle, WA // Mastered by Nate Yaccino, Robert Lang Studios, Shoreline, WA...
Record Review: Frontier Ruckus
Frontier Ruckus Deadmalls & Nightfalls Detroit, MI Frontier Ruckus hails from Michigan, but don’t let their geographical location fool you. Once you delve into Deadmalls & Nightfalls you are...
Record Review: Festizio
Festizio Hot City San Francisco, CA Recorded and mixed by Scott McDowell at Tiny Telephone in San Francisco // Mastered by Justin Weis at Trakworx in South San Francisco // Produced by Festizio...
Record Review: Emily Elbert
Emily Elbert Proof Boston, MA Produced by Stephen Weber and Emily Elbert // Engineered and mixed by Stephen Weber // Mastered by Jonathan Wyner Emily Elbert has been playing music since she was 15,...
Record Review: Demon’s Claws
Demon’s Claws The Defrosting Of Montreal, QC Too often nowadays, bands try to develop a sound that is as complex as their musical tastes, and usually end up falling short with their pseudo...