Benjamin Ricci

How to Maximize Your Digital Mechanical Royalties Through The MLC

As an independent artist, you are probably all too familiar with the issues that have long clouded and complicated the process of getting the digital audio mechanical royalties that you are owed for the use of your songs. It’s also likely that you’ve heard about The...
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Record Review: Des Ark

by | Jul 7, 2011 |

Des Ark Don’t Rock The Boat, Sink The Fucker Philadelphia, PA “Regina Spektor meets Cursive” Don’t Rock The Boat, Sink The Fucker is a magnetic telltale of vulnerability, opulent instrumentation and...

Record Review: Fox and the Law

by | Jul 7, 2011 |

Fox and the Law Fox and the Law Seattle, WA “Soulful songs for shoe-gazers and wallflowers” An acrid cloud of blue smoke silhouettes the surly bartender who leans away from his customers and closer...

Record Review: Elemental Zazen

by | Jul 7, 2011 |

Elemental Zazen Nothing To Lose But Change Boston, MA “Ferociously reflective independent hip-hop” Nothing To Lose But Change opens a new chapter for Boston's furiously polemic lyricist Elemental...

Record Review: Dead Rabbits

by | Jul 6, 2011 |

Dead Rabbits A Record to Break Atlanta, GA “Psychedelic swamp duo brings stage presence to the studio” Dead Rabbits are a duo comprised of vocalist/guitarist Joshua DeRosa and drummer/vocalist Lucas...

Record Review: The Bynars

by | Jul 6, 2011 |

The Bynars The Bynars Boston, MA “Contagious danceable rock” The Bynars is a catalog of visceral, yet playful lyrics.  Lyrics that lasso themselves around your heart, making you remember every crush...

Record Review: Baby Baby

by | Jul 5, 2011 |

Baby Baby Money Carrollton, GA “They’ll do this all night long” “You must not know who you’re dealing with,” Fontez Brooks whispers on Money’s tent pole track “Fire.” Then Baby Baby combusts into a...