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The past two years have seen an explosion in an exciting new product category – the lunchbox amp. There have been a lot of questions about just what, exactly, a lunchbox amp is, and what it can do for you, the guitarist. We’ve put together a short primer that should help answer those questions, as well as some recommendations for some of our favorite models.
WHAT IS A LUNCHBOX AMP?▼ Article continues below ▼
A lunchbox amp, much like the name suggests, is typically about the size of a lunchbox, and was designed to solve a few basic problems that guitars players have been struggling with for years – how do I get a great sound without lugging awkwardly large, heavy amps and cabinets to gigs; and how can I get amazing tones at a more reasonable volume?
Traditionally, a guitar amplifier’s true tone is really unleashed when you start to push the tubes to their limit, creating overdrive. The problem is that guitarists have been lugging around 50-100 watt amps, which means that cranking these beasts into overdrive will also split your eardrums (not to mention your audience’s). Enter the lunchbox amp. No longer do you need to schlep a Marshall stack to that small club gig.
The lunchbox design takes the great tones of larger tubes amp heads, and brings down the size, weight and wattage. Now, you might be thinking that reducing the amp’s power would negatively affect the tone. But quite the opposite is true with these models. With a lower power rating, you can more easily distort and overdrive the pre and power amp tubes at a far lower volume, meaning you can get the benefit of the amp’s signature tone without the police showing up at your door. You can also carry these amps and transport them much more easily than a traditional head/cab or tube combo amp.
Most models feature a built-in handle, which is not only cute, but very handy. They can also feature selectable power outputs, allowing you to control the overall output wattage. What this means is you can get even crunchier tones at lower volumes. And speaking of volume, don’t be fooled by 5-15 watt ratings. Remember, power is not related in a linear fashion to volume. For example, 50 watts is not 10 times as loud as 5 watts. Without getting into too much math, you’d really need to multiply your wattage by a factor of 10 to double the volume. So rest assured, those tiny lunchbox amps can let out some monstrously loud sounds!
ZT Amplifiers The Lunchbox – $299
Notes: One of our favorites, and the category’s namesake. This small wonder is a marvel of modern engineering, and we’ve had the opportunity to put it through its paces. Our conclusion? For pros and bedroom tweakers alike, there’s no beating the ZT Lunchbox for tone, style and control.
Orange Amplifiers Tiny Terror – $599
Notes: The Tiny Terror lives up to its name (and practically invented the product category). You want crunch? You’ve got it here. That’s what it excels at, and it does it with the traditional Orange punch.
Gain / Tone / Volume
1.5 mm Zintec Chassis w/ Steel Vented Top Case. Padded Gig Bag.
15 Watts ‘Class A’ / 7 Watts ‘Class A’
Preamp Tubes: 2 x 12AX7
Power Amp Tubes: 2 x EL84
Speaker Out: (1) 16 Ohm, (2) 8 ohm
Notes: Our pick for some of the sweetest, more Vox-y sounding tones you’re likely to get in this category (no surprise, of course). Yep, it can get plenty mean, but it also produces a better high-end chime than some of the other models out there.
Rear panel controls
Mesa/Boogie Transatlantic – $1499
Notes: Yep, they’re late to the party, but fashionably late, wouldn’t you say? Where the Mesa/Boogie lunchbox shines is in its ability to put out both great American and British overdrive sounds – something some of the other models just can’t manage.
Notes: We couldn’t have said it any better than Egnater, “The Tweaker is an ultra compact and amazingly versatile all-tube amp that offers a unique and sophisticated tone with seemingly endless tonal variations via the on-board ‘Tweaker’ selector switches.”
Notes: Don’t be fooled by its low price tag – we’ve included the Epiphone Valve Junior here because it offers up some pretty tasty blues tones and a clean, but slightly overdriven jazz jangle – definitely something worth checking out if a heavy crunch just isn’t your thing.