PROS: Plenty of tones, easy editing, plenty of connectivity options.
CONS: Some of the presets are a bit stale.
PRICE: $550
Editing sounds isn’t that difficult, and getting good tones by just fiddling with the knobs is fairly intuitive. The manual’s “quick start” section provides a simple way of unlocking all of its sonic goodness, with minimal reading (thankfully).
From 12-string and acoustic simulations, right up to super-scooped metal, there are plenty of tones to be had. The synth-like effects sound great, and set it apart from other multi-fx units on the market. It’s not hard to get in-between, natural, semi-distorted sounds either. Some of the presets can cover some of the same sounds, so scrolling through them can seem repetitive. The ACCEL pedal function can activate a few real “effects” such as feedbacker, and the S-Bend, which can coax some pedal steel like sounds, as well act as a switch to turn on and off effects. There is a manual mode that makes the foot switches act like on/off switches for individual effects in that patch, like a virtual pedal board. Integrating it to an amp is easy as well, sporting a 1/4-inch connection for an amp’s channel switch. A looper, one of Boss’s most popular effects, allowing the recording and playback of riffs, is also included.
Overall, it’s a great unit, and quite flexible. Editing is always an issue with multi-fx units, but this one is A LOT more user friendly, and features more than the standard distortion/chorus/wah found in most multi-fx processors.
FEATURES:
-Advanced COSM amps that model vintage amp tones
-Dual-LCD for simple and intuitive operation
-Improved EZ Tone feature with graphical TONE GRID for constructing new patches
-Newly developed ACCEL pedal for simultaneous control of multiple parameters