PROS: Great selection, construction, price. Plenty of applications.
CONS: None.
PRICE: $675 MSRP
LISTEN NOW to a clip of the Audix mics in action**:
[audio:http://performermag.com/wp-content/uploads/THE-GOODBYE-THEORY-Harvard-Square-Girls-AUDIX-DEMO.mp3|titles=THE GOODBYE THEORY – Harvard Square Girls (AUDIX DEMO)]
The set contains a good selection of microphones, primarily selected for a drum kit (as well as other musical applications). Their F5 is optimized for snares, guitar cabinets, and vocals. For floor and rack toms, the kit includes three F2s. They have a really great range of frequency responses, and can handle a floor tom’s low end with ease. The F6 mic is designed to be used with kick drums, but can handle any other low-end frequencies, such as bass cabinets. Overheads are a must, and two F9 condensers are included, which also work well with acoustic stringed instruments.
When miking up a drum kit for recording, this set works really well together; very little EQ is needed to get a good drum mix, and the condensers capture the overall kit nicely when used as overheads. They all have a crisp sound on their own as well as a collective unit.
Drummers will appreciate a nice selection of well-built microphones, which work well live and in the studio. For home recording, this is a great way to get a good selection of mics at a great price, without having to wonder how they’ll interact with each other! For additional mic placement videos and tips, visit www.audixusa.com.
IN THE BOX:
One F5 dynamic mic
Three F2 dynamic mics
One F6 dynamic mic
Two F9 dynamic mics
Six D Clips
MC1 clip
Aluminum carrying case with foam inserts
** Audix Microphone recording – “Harvard Square Girls” by The Goodbye Theory
Explains reviewer Chris Devine:
The goal was to do a recording using just the microphones in the Audix FP7 Microphone kit. Very simply, here’s what we used on what tracks:
Snare drum – F5
Rack and Floor toms (3) – F2
Kick drum – F6
Overheads (2) – F9
Guitars – F5 + F9
Bass Guitar – F6 & F2
Vocals – F5
No other microphones were used during this recording, and at no time did we feel limited by our selection of microphones.