Taking Advantage of Studio Limitations
Seattle’s Sandrider is a gnarly, loud and ferocious trio of veteran musicians, hell-bent on destroying eardrums and bass drums in equal numbers. The band is about to re-release their self-titled LP on 180 gram wax, courtesy of Good To Die Records, and we had a chance to catch up with frontman Jon Weisnewski about the group’s back story, their favorite gear, and their creative process both in and out of the studio.
Can you give us a brief rundown of how the band formed and where you’re at today?
I’d been playing in the band Akimbo with Nat, our drummer, for about 15 years. I originally learned to play music on the guitar, but switched to bass in Akimbo. And I had a real desire to play guitar again, and to play with other musicians. So I asked Nat if he wanted to start playing some songs, and we wrote some music and had some other bass players come in and fool around. Never really got a serious bass player for a while, until I was getting tattooed by Jesse, Sandrider’s bass player, and we started shooting the shit. He played in a band I liked a lot, and they were in the middle of a hiatus at the time. So I told him he should come down and play bass with us.
That first practice was just out of this world. It was great; we had an amazing chemistry together.