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BLOGS // JUNE

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June 30, 2010
New Band Discovery: Dead Rabbits

By: Ben Ricci
 
Just a quick note, there is a great band from Atlanta that's definitely got me hooked: Dead Rabbits. Their CD, The Rabbit That Roared, is amazing and I hear they put on a killer live show. Check 'em out if you have a chance.

Dead Rabbits on MySpace

Dead Rabbits


June 28, 2010
Tall Heights Live Review

By: Noelle Janka
 
Tall Heights // Harpers Ferry // Allston, MA // June 23, 2010

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Tall Heights capped off an evening of polished Boston-based acts at Harpers Ferry last week with a lot more oompf than one might expect from a Wednesday night acoustic showcase. The duo of Paul Wright and Tim Harrington hails from Sturbridge but have slowly worked their way into Boston to become a fixture in the city's folk/rock scene.

It was evident at this show that it is not just their heart-felt tunes or the novelty of seeing someone rock out on a cello that keep the crowds coming, but a special attention to showmanship. They carefully integrated emotional ballads and upbeat sing-a-longs and kept energy and audience participation high throughout the set. Wright even went so far as to organize the crowd for a group photo between the last song and the encore.

Tall Heights' success may come in part from their humility. Wright and Harrington, who share songwriting responsibilities, played with a high level of craft and a lyrical depth that defies their young faces. They are both great singers and were not shy about using their gift. They traded off on singing but also harmonized often, creating a sound that seemed greater than just two voices. Along with their bassist and drummer, the duo laughed and smiled throughout, clearly just having a great time and not taking themselves too seriously. It was refreshing to see talented people work so well as a team to create music that is pretty, passion-laden and catchy as hell.


Photo by Wyatt Posig


June 24, 2010
New Video Day! Check out "Ruthless" by IMA ROBOT

By: Ben Ricci
 



June 24, 2010
Starlab hosts community event to raise money for flood damage.

By: Ben Ricci
 
CAMBRIDGE, Mass.-Starlab, a community music studio beloved by local artists who use it as a practice, recording and performance space, needed massive repairs this spring after heavy rainfall caused flooding. To raise money for those repairs, Starlab invites the public to enjoy an outdoor benefit concert - plus flea market and BBQ - to be held Saturday, July 3rd at Starlab's location at 32 Prospect St. Free food and beverages will be served all day. Suggested donation is $10. The concert will feature four homegrown bands who have elevated the Boston music scene into the national spotlight: Sleepy Very Sleepy, Doomstar!, Drug Rug and headliners Movers & Shakers. The Starlab family is passionate about bringing local acts to the Cambridge community, as well as showcasing national artists, including past performers Austin Lucas and Mike Hale. The members of Starlab plan to offer attractive recording rates to local musicians in the near future, and look forward to a fun-filled Saturday of music, food and all-around good times this July 3rd.


June 23, 2010
New Video!
ArnHao: "Oh?! (Intangible Fantasy)"

By: Ben Ricci
 

ArnHao - Oh?! (Intangible Fantasy) from Colby Ramsay | A Racy Symbol on Vimeo.




June 23, 2010
New band discovery: Lynxwail

By: Ben Ricci
 
Just quick note, if you haven't yet discovered Lynxwail, do yourself favor and check them out. Their EP is great, and you can keep on top of upcoming shows on their MySpace page.

Lynxwail


June 22, 2010
SUGARHILL STUDIOS BURGLARIZED OVER WEEKEND

By: Ben Ricci
 


(HOUSTON, TX) - June 21, 2010 - This morning, the SugarHill Staff arrived to find that our studio complex had been burglarized. Although we lost instruments and recording gear, all client tapes and files are secure. A list of serial numbers and descriptions of the stolen items will be posted shortly. If anyone has any information regarding the theft, or comes across any of the items taken, we'd appreciate a prompt call to our front office. I'm happy to report that the incident has not interrupted any of our sessions. As I write, I can hear The Champion Sisters in Studio A cutting basic tracks for their new album. While SugarHill has endured many challenges in it's time, the story of being burglarized will have to wait until volume two of our recent book. For now we are busy securing the property, and taking the steps to insure that we don't have a repeat of this problem for another 70 years.

Thanks for your support,

Dan Workman
President, SugarHill Studios


June 21, 2010
Mackie Extends Free Driver Download Connecting Onyx-i Mixers with Pro Tools

By: Ben Ricci
 
Mackie
Logo

Due to popular demand, Mackie is extending the free download of the driver that connects its popular Onyx-i FireWire Production Mixers with Pro Tools M-Powered 8. The Mackie Universal Driver Upgrade (which enables Pro Tools M-Powered 8 functionality) is a simple download from the Mackie website (usually costing $49.99).

Mackie has extended this offer and, for a very limited time, this driver will be absolutely FREE. People who purchase Onyx-i mixers can go to www.mackie.com, register their new mixer and download the Mackie Universal Driver Upgrade completely free of charge.

Onyx-i Series mixers feature extremely deep FireWire integration and a host of proven, high-quality analog features like Onyx mic preamps and Perkins EQ. Users can choose to implement the Perkins EQ into the recording path at the push of a button, and can also choose to record auxes, groups (1640i) and the master L/R signal. The flagship Onyx 1640i incorporates a massively flexible 16x16 FireWire interface, allowing the user to return up to 16 DAW channels right back into the channel strips for a true tape-style mixdown.

To download the free driver or learn more about Mackie's Onyx-i Series FireWire Production Mixers, please visit Mackie.



June 15, 2010
Sennheiser announces the launch of its HearIAm campaign for bands!

By: Ben Ricci
 


OLD LYME, Conn. - June 10, 2010 - Headphone and Microphone specialist Sennheiser announced the launch of its HearIAm campaign for the Americas, designed for sound loving musicians and fans seeking to discover and share new music. As part of the campaign, the company has partnered with Pick The Band--the world's first "fan-run record label." The initiative will also be supported by Universal Republic Records. For fans, the HearIAm campaign provides access to a treasure trove of the finest as yet undiscovered music available. For musicians, the campaign presents a potential opportunity to reach thousands of fans who crave new music that is both passionate and authentic.

The campaign website HearIAm.com, which interfaces with PickTheBand.com, invites fans to preview and share thousands of their favorite music tracks with others using customized social media tools and applications developed by Sennheiser and Pick The Band. Moreover, fans are able to cast votes for their favorite artists, making both artists and fans eligible to win a myriad of exceptional prizes including trips to well known American music festivals. For artists, the trips include prominent performance slots at these festivals, along with Sennheiser equipment. Musicians and fans will have many opportunities to enter the contest before it concludes next spring.

"Sennheiser recognizes the significant shift the music industry has experienced over the last several years," said Stefanie Reichert, vice president of strategic marketing at Sennheiser USA. "As trends like digital downloads and social media take hold, artists need to promote their music using grassroots techniques to reach today's fans more successfully. On the other hand, fans want to discover and share new music on their own terms. This campaign connects both parties; it makes it easy for fans to discover an untapped pool of new talent, while providing an innovative platform for musicians to reach potential fans."

Roie Avin, founder and president of Pick The Band, added: "Sennheiser has a very impressive legacy of providing musicians and consumers with high quality product solutions, while Pick The Band has a tremendous track record of bringing musicians and fans together using a proven web platform. Both companies share the same understanding of the market and were able to develop a terrific concept using customized music sharing applications. We believe that our combined efforts, along with Universal Republic's generous prize contributions, will result in exciting opportunities for both artists and fans."

Benefits of Participation All musicians who register for the contest on HearIAm.com will receive a robust marketing toolkit that includes several electronic communication pieces--such as Facebook badges--to help them reach out to fans more effectively. Several finalists will receive customized phone applications to assist in their outreach activities, and will become eligible to win a performance slot at major American music festivals, along with $10,000 in Sennheiser gear. Partnering festivals include Montreal's Osheaga 2010, which occurs this July and New York's CMJ Music Marathon in October. Other festivals will be announced in the near future.

Music fans have a chance to win one of several trips to the same festivals by sharing artists' music through social media outlets as well as by participating in the final voting process. Several smaller prizes will also be awarded.

By the time the contest wraps up in spring of 2011, a single grand-prize winner will be selected to receive a special A&R showcase and a distribution deal, courtesy of Universal Republic records.

"To be successful in the current music business landscape, artists need to put forth a greater effort and initiative than ever before," commented Avery Lipman, co-President and COO of Universal Republic Records. "By establishing HearIAm.com and rolling out this highly innovative campaign, Sennheiser is helping to find and cultivate talented new artists, which is a mission we share at Universal Republic."

Winner Selection A random drawing will determine which fans will win the all inclusive music experience. The number of votes, the amount of shared music as well as a special judging panel will determine the winning artist or band that will perform at one of the selected music festivals.

The judging panel includes the following participants:
-Brian Hardgroove: Lead guitarist of Public Enemy, producer and host of "The Fusebox" music radio program. -Josh Jackson: Editor in Chief of Paste Magazine
-Roie Avin: President and Founder of Pick The Band
-A representative of the festival.

To participate in Sennheiser's HearIam contest, or to learn more, please visit www.heariam.com

About Pick The Band
Pick The Band (www.picktheband.com) is the world's first fan-run record label. Picktheband.com is intended to bring fans into the music label process by having them help find the best undiscovered talent and then have them help market the band. Pick The Band is different than other music services since the audience helps find talent and also has direct input on which songs should be recorded, which should be singles, t-shirt designs, tour stops, and more. Pick The Band also invests heavily in those bands by putting them with major producers and concerts.

About Universal Republic Records
Universal Republic Records is a division of Universal Music Group, the world's largest music company, with wholly owned record operations or licensees in 77 countries. One of several labels that comprise Universal Motown Republic Group, Republic Records was formed in 1995 by President, CEO of the label, Monte Lipman, and his brother, President of Universal Republic, Avery Lipman, conceptualized around their kitchen table. Today, the label is responsible for numerous breakthrough and mainstream chart topping artists, including a diverse array of groundbreaking imprints and ventures encompassing new and established platinum and multiplatinum acts such Taylor Swift, Enrique Iglesias, Amy Winehouse, Colbie Caillat, Tori Amos, Hinder, 3 Doors Down, Owl City, Anberlin, Godsmack, Jack Johnson, Damian Marley, Chamillionaire and others.

About Sennheiser
Sennheiser is a world-leading manufacturer of microphones, headphones and wireless transmission systems. Established in 1945 in Wedemark, Germany, Sennheiser is now a global brand represented in 60 countries around the world with U.S. headquarters in Old Lyme, Connecticut. Sennheiser's pioneering excellence in technology has rewarded the company with numerous awards and accolades including an Emmy, a Grammy, and the Scientific and Engineering Award of the Academy of Motion Picture Arts and Sciences.





June 14, 2010
Final day of The 'Roo!

By: Tara Lacey
 


Bonnaroo is such an intense and taxing festival it's hard to even remember where one day ends and the next begins. There is so much music to be heard and discovered and enjoyed. Saturday afternoon I managed to catch a little of Damien Marley and NAS from the media tent while blogging--promptly after Weezer decided to cancel their media appearances in lieu of a press conference which I found to conflict with the music beckoning from beyond the media grove. (Check back for some short Q/A's with The XX and Edward Sharpe to be posted soon.)

I did managed to catch Weezer's late afternoon set on Saturday, and let me just say, perhaps it was that they had followed The Dead Weather or perhaps they truly did not wish to be at Bonnaroo roasting in the heat with the droves of music fans that were basically rabid enthused to see them, because their performance was "ho-hum, yawn, I look just like Buddy Holly" at best. One redeeming quality, they did manage to play classic crowd pleasers and actually covered Lady Gaga and MGMT. I mean come on when you are a borderline rock classic when do you cover MGMT? I would be saying the same thing if Bruce Springsteen (who was spotted at MGMT's show last year) had pulled a similar move, nothing against Weezer but it felt a bit cheap to me.

Like I said perhaps they just had a tough act to follow. The Dead Weather brought it hard, but one of my favorite things about The Dead Weather's Saturday set was that Bonnaroo had introduced a small stage at the back of What Stage called Cafe Where. I discovered it poking around before the set in between my high noon love affair with New Orleans' jazz-funk force field Big Sam's Funky Nation and right after groovy tunes of The Paper Tongues at The Troo Music Lounge--you could have easily mistaken Aswan North's vocals for Bono and the band for a young U2.

It was at Cafe Where that I got to see Morning Teleportation which was a welcome return to the psychedelic rock jams that Bonnaroo festival made a name for itself with; and gave a glimmer of the music discovery that was at one time much more widely embraced by the festival's patronage. It was there I also ran into an anomalous fellow Bonnaroo vet who shared my sentiment regarding the shift in the festival's "open" vibe. A welcome refuge, Morning Teleportation's electro-roots music featured banjo and synth in an enchanting harmony that was oddly reminiscent of a chilled out and more innovative Modest Mouse. I should hope to see a lot more of them. This gem was easily one of my favorite things to take away from Bonnaroo this year.

Weary from the marathon of music and the heat I still managed to catch Stevie Wonder wow the masses from the lawn on What Stage immediately following Weezer. Still fighting off sleep I managed to drop it to the infectious beats of Eclectic Method booming from the Lunar Stage, hula hoop and all. Covered in sweat and a bit befuddled at having lost my crew I took a minute to breathe in the sound from all directions. I enjoyed the new and improved LED ferris wheel from afar as I meandered across the field to Thievery Corporation.

I stopped long enough for a cat nap in the tent and rallied through to see Deadmau5 and I'm happy I did. He threw down a trippy set complete with an LED "mau5head" that matched the fifteen-foot light spectacle encasing his equipment and expertly coordinated to the staggered light curtains draped behind him. It was breathtaking and captivating both in sound and show.

Sunday was a lazy day. Devil Makes Three was a great start. Regina Spektor and Ween rounded it out and my friends and I left early before Dave Matthews' main event. Having made so many new friends and saturated myself with new sounds I could leave the festival satisfied with my experience overall, but honestly a bit let down in the dynamic shift in the general punter (perhaps that comes with record attendance.


June 13, 2010
Day Three From The 'Roo!

By: Tara Lacey
 


Day three of Bonnaroo is up and going strong and I got it started early with the Southern rock of Jonathan Tyler and The Northern Lights who played right off the plane from a Friday night gig for their noon set at the Troo Music Lounge. To spite not having their own instruments and some sound issues with the bass they rocked out for a tight crowd of "early" risers. It was a great way to cap off a night full of music--that has only ceased for a brief nap around sunrise this morning.

Last night Bassnectar brought some womp and wobble laced with classical music. He threw down a Bonnaroo worthy mix of "Seek and Destroy" to end his set. The talk around the festival this morning is Bassnectar, for sure. I did manage to squeeze in a little of The Black Keys for good measure, and let me tell you Bonnaroo sure does know how to make the picking hard. I followed on Bassnectar with my new favorite Bonnaroo attraction The Lunar Stage where The Crystal Method threw down a wicked DJ set into the wee hours of the morning.

After Jonathan Tyler's set this morning I got the chance to jam out to Big Sam's Funky Nation this afternoon with a grip of festival first timers...the norm around the 'roo this year. I must say having my image on the jumbotron at What Stage just may have made my Bonnaroo. It was as funky as the name implies and though the Tennessee sun is unforgiving it is far harder not to get down to their grove than it would have been to simply tap my toe or hum along. These guys have so much spirit and tenacity for tearing it up and they held nothing back.

Saturday calls - Bonnaroo!


June 12, 2010
Live Updates From Bonnaroo

By: Tara Lacey
 


It's plenty hot in Tennessee. Yesterday after getting to the farm around 2:30 AM we putzed around in line for about four hours, but we were part of a lucky few. The line rolled in to Manchester and word around the festival is that many waited an upwards of seven hours before they could even get in. Our Thursday was thus somewhat low key save for a little one on one with Oli of The XX. He gleefully compared Bonnaroo to a European rock festival, "it has a very European feel to it, I like it" but the British rising star was off to play other shows almost as quickly as he came. He lamented a bit that he could not check out too much of the festival itself because of the whirlwind festival tour The XX has slated for this summer.

Sadly, due to my night of zero sleep from Nashville's airport to press check in to the start of the festival I was pretty beat and only caught one full set. The Manchester Orchestra rocked out hard pulling a switch on audiences as they lulled to a slow almost sleepy Goo Goo Dolls type underscore switching to a fierce in your face hardcore rock at just the right intervals to keep it interesting and hold a sizable audience. Following Manchester Orchestra I managed to catch a bit of Neon Indian whose synthy electro pop actually made me feel my fatigue and I had to retire.

Today the sun came up blazing hot over the camps by early morning and I was awakened by the random playing of none other than Jonathan Tyler and The Northern Lights from across the camp sites. For all our trouble in line we lucked out with camping too, placed immediately behind VIP we also awoke to a funky soundcheck by Les Claypool. It got me jazzed to start the day.

Edward Sharpe and the Magnetic Zeros kicked it off right for the day and I got to chat with Alex Ebert just a bit ago...more to come. I can hear Nas and Damien Marley beckoning, and tonight Bassnectar awaits.


June 10, 2010
Pub League, Fairbanks, AK

By: Isaac Paris
 


What is Pub League? 20 musicians are put into five groups of four, and expected to come up with a 20 minute set of material in a single afternoon at our local establishment Ivory Jacks. The goal is to forge new relationships and expand musical talents through exposure to new styles. Creativity, co-operation, leadership skills and time management are of course put to the limit. It's just like being in a real band on fast forward; as there's no time to practice but there's a decent draw with 20 musicians and their friends packing the place. There is a competition, with awards going to best band, best vocalist and best instrumentalist, but tongues are firmly in cheek and fun is more important than winning.

"Pub League encourages you to dig long abandoned styles and influences out of the closet and enjoy a fresh perspective with new faces," says Craig Brookes of Paper Scissors.

I myself am a veteran of Pub League, with three previous adventures under my belt, this time I found myself paired with three people I had never played with before, and we got a late start. The fast paced nature and a desire to please an audience with something familiar leads to playing covers. A previous winner played an epic mashup of Van Halen's "Jump" and Patsy Cline's "Walkin' After Midnight." I may have forgot to mention this was sung as a duet into a vocoder. This was Caleb Kuntz of Work, Ephy Wheeler of Feeding Frenzy, Ben Adamson of The Brine, Casey Smith of Thought Trade Andrew Paris of Night of the Iguana and Chris Meurlott of The Scurvies.

With that success in mind I suggested to our band that we play some old songs, I imagined a mash up of "Them There Eyes" performed by Billie Holliday and Louis Prima, among many others, and "Digital Love" by Daft Punk. What we ended up doing was playing the old song as an electro jam- and the '90s hit as an "old timey number" with ukulele and an affected "Louis Armstrong" intonation, of course, both "covers" were radical departures from the original melody and timing.

A comment about not being able to find a song on the internet due to a confusion on whether it was Lil Wayne featuring someone or someone featuring Lil Wayne gave us out band name: Lil Wayne (feat. Lil Wayne) which tickled us pink.

At a previous pub league my band Cock Sauce had success with a hip hop song via a writing exercise where four or more lyricists write whatever they feel like on a piece of paper and pass it around in a circle. This results in a disjointed "exquisite corpse" style rap, which can be awkward or hilarious, but is perfect for the fast pace and low expectations of Pub League. So, within an hour we had some ridiculous raps about Buddhists, janitors, contortionists, sexual innuendo and plenty of in-jokes about our friends in other bands.

Hannah Corral of the Ba'cuntry Bruthers encountered a slight disaster at her band's rehearsal: there was no microphone, no drum set and only a single guitar among four members and so they agreed to be an 8th grade lunch room cover band, Brutal Hate covering hits that were popular when they were 11 and emphasizing their characters in an improvised skit to hide their lack of rehearsal on their instruments.

"I had a blast, its always fun meeting new people and combining different tastes in music, that is what helps you grow as an artist," said Dan Vogel of the "real band" Paragraphs. Pub League really wouldn't exist without the efforts of Connor Rainy, who organizes and makes the phone calls. Are there other pub leagues out there in other towns under different names? Write me and tell me about them at strangecharm99@gmail.com.

Links:
myspace.com/thoughttrade
myspace.com/paperscissorsalaska
thescurvies.com/
myspace.com/bacuntrybruthers
prgrphs.com
Look up Work at myspace.com/thesedoors
I play as Isaac and the Awkward Situations, at myspace.com/strangecharm.
To see local mash-up band Turducken play a Modest Mouse song, head to fbxshows.com, and click on videos.


June 10, 2010
Warren Ullom of The Judies Sentenced to 20 Years

By: Ben Ricci
 


FOR IMMEDIATE RELEASE

On Monday, June 7, 2010, Warren Eugene Ullom, the 24 year old lead singer of the Atlanta rock group The Judies pled guilty to a charge of voluntary manslaughter in connection with the overdose death of Rachel San Inocencio which occurred on June 6, 2008. Facing a potential lifetime in prison, Mr. Ullom accepted a plea and was sentenced to 20 years. The sad death of Ms. Inocencio and Mr. Ullom's conviction are a grim reminder of the dangers of using heroin. Judge Doris Downs, who sentenced Mr. Ullom, solemnly commented, "one life has been lost in this incident and now we are losing another." Mr. Ullom has been drug free for over 18 months and has been a positive and creative member of society since the unfortunate 2008 incident.

David W. Prasse, an entertainment attorney and co-owner of The Judies' label, said, "Warren is one of the most talented musicians I've ever met. He's a gifted songwriter, amazing entertainer and a truly brilliant person. I've been fortunate enough to spend time with him over the last year as this impending situation had been hanging over his head. He managed to turn his life around and remarkably he focused on his music and worked to keep his friends from being depressed about his situation. Over the last year he's become one of my best friends and I miss him already. This was a no win situation. On behalf of his family and friends, we wish him a speedy release."


June 9, 2010
Bonnaroo 2010 Preview!

By: Tara Lacey
 


What's in a name? With Bonnaroo music festival the names says it all. Bonnaroo is a Cajun term meaning "a very good time". If you are fortunate enough to be headed to Manchester Farm for this year's festivities a good time is exactly what you will be in for, plus some. This year's line-up is studded with indie darlings for the genuine, music loving community that Bonnaroo manifests each year and boast big names for nostalgia. As if southern summers weren't scorching hot enough Dave Matthews Band, Jay-Z, Weezer, and Kings of Leon headline-setting the main stages a blaze for the droves of music fans headed to Tennessee this weekend.

Performer Magazine will be in on the action this year-anxiously anticipating The Postelles to kick off the festival on Thursday afternoon. Their delightful brand of retro pop should provide a mellow introduction to the array of talent on this year's line up, but only for those lucky enough to get past security in time for their afternoon set. Also on the agenda for Thursday is an Austin, TX favorite Neon Indian. They will be bringing their synthed out dance beats to That Tent in time for patrons to get down to just around sun down. Also on our radar are the alt-country crooners Blitzen Trapper, and of course the critically acclaimed The XX to round things out, and finally completed by the electro funk of Lotus.

Bonnaroo makes the picking difficult on Friday-such is the case when there is so much talent performing all in one place (at least they make up for it in two-for-one surprise artist mash-ups throughout the festival). To start your Friday we recommend you kick back with some bluegrass by The Carolina Chocolate Drops as it should help ease the any hangover from the night before with some easy, soulful banjo picking. Edward Sharpe and the Magnetic Zeros will match that soul and mix in some gypsy at an adjacent stage, The Other Tent immediately followed by Dr. Dog, The National, and OK Go. Late night Friday is a toss up with the likes of The Flaming Lips with Stardeath and the White Dwarfs performing Dark Side of the Moon, the mash up master with wicked wobble Bassnectar, and The funky rock of The Black Keys all triple stacked. We are most looking forward to reporting to you all the new music that Bonnaroo serves up, and there's plenty so check back with us to see who will be making a name for themselves in the coming year.

Saturday we'll be hanging out with Alex Ebert of Edward Sharpe and the Magnetic Zeros. Check out the August issue of Performer Magazine for the full story. At the Troo Music Lounge festival goers can catch friends of Performer Magazine Jonathan Tyler and The Northern Lights for a little blues just like they rock it down home. As for Sunday, one word: Ween.

Check back with Performrer Magazine for interviews and highlights on this years breakout talent and a rundown of the most talked about performances of Bonnaroo 2010.



 
 
 


     
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