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LIVE REVIEW: Roman Photos
35
The 529
Atlanta, GA
Feb. 11, 2010
By: Albert Opraseuth
March 2010
 
The term "art rock" can signify a plethora of different meanings, some more derogatory than others. The term encompasses such a wide range, from kids with too much money to burn who buy an overabundance of guitar pedals and twist and turn knobs, warping the sound from any discernible tone or melody, to genuine artists who craft something honestly different, experimental and universally pleasing. Atlanta's Roman Photos craft a blend of post-punk and electronica into something danceable, chic and simultaneously "art rock."

This particular Thursday night saw a near-capacity crowd show up for the dance-a-thon extravaganza. Roman Photo's set opened with Chris Daresta's essential and cadence-carrying bass lines, followed in quick succession with David Mansfield bringing a danceable drum beat to the song "Automat." On every song the duo creates the backbone and groove, thereby allowing Allen Taylor and Drew Haddon to create the melodic, intensifying parts of each composition on their microKORGs and other assorted electronic devices.

Debuting a new song called "Out of the Sun," Mansfield left the safety of his drumset and assumed the duties of a traditional frontman; here, his normally sparse and subtle vocal style seemed slightly more striking and vulnerable. The highlight of the set had to be the song "Ribcage," in which the band members started with various percussion instruments and built it into an uncivilized clamor, complete with tribal vocal yelps from Daresta. The set closed with "Decline," a song built on a movement rather than a traditional groove. The song peaked with a slight crescendo and then abruptly ended, leaving the crowd in bewilderment. But that's the genius and the "art" aspect of the group, because if you're left wanting more, you'll have to come out again to get your fix.

http://www.myspace.com/romanphotos

Photographer: Philip Wages



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