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LIVE REVIEW: Olivia Gerber
Southpaw
Brooklyn, NY

By: Esther Tran-Le
 
Oregon native Olivia Gerber moved to New York City about a year ago where she continues to pursue her studies and music. At Brooklyn's Southpaw, she opened Zoe Sundra's CD release party for her album Death By Love Songs. With only her voice and an acoustic guitar, Gerber proved satisfying and full of potential. Having heard her play a few times before at venues like Sidewalk Cafe in New York's East Village, it's frustrating to say that the Southpaw performance was not her best, perhaps due to the venue's poor sound system.

Gerber even stepped away from the mic at one point, exclaiming that she didn't like the powerful feedback drowning out her guitar. In any case, she played a seven-song set, including a new track called "Take the Night." Gerber's style is folk-like with a tinge of bluegrass. Gerber's song craft is basic. She primarily fingerpicks the guitar and sticks to a few vocal patterns: a slightly rough little girl voice and a nasally yet pouty voice, which she often follows by trilling her voice to prolong the end of her phrases. "Big Feet," which she also performed, is a perfect representation of Gerber's sound.

It was her "love song for Oregon," as she called it, which really charmed everyone. Evidence of a sustainable alto-soprano voice, the tune is definitely Gerber's best. It may be because she sticks to her rough little girl voice. Gerber finished with "Wearewe?Areweare," a lovely song. She added a little beat by tapping her guitar and gave up the fingerpicking for some guitar strumming.

Olivia Gerber is worth watching out for. With a little more time, she could possibly turn into a songstress like that of Cat Power, as both have the same minimalist approach, but Gerber's vocals remain sweeter than Chan Marshall's.

http://www.myspace.com/liviagerber



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