Somewhat folksy, slightly funky, and definitely danceable would be the best way to describe the Freak Owls debut album, Taxidermy. Singer/songwriter Josh Ricchio's warm and uncomplicated vocals nestle very nicely in a bed of acoustic instruments and danceable beats throughout the entire album, accented by vocal and instrumental help from musical guests Kolby Wade, Cody Geil, and Kerry Beach. The general effect is a plush wash of sound over great grooves, with each song presenting a different morsel of musical tastiness, some highlights being the sparkling mandolin, which really jumps out on the tracks "Hey Na Na Na" and "Online (And In Love)," and the acoustic guitar ostinato on "Paper People," which is positively hypnotic.

"Belles" includes some truly haunting violin work, and "Optimistic Automatic" uses handclaps to great effect. The opening track, "Little Things." wouldn't be out of place in a Zach Braff or Zooey Deschanel indie movie. The only downside to the textured and defused quality of the instrumental arrangements is that Ricchio's lyrics become secondary to the sea of sounds that surrounds them, the only true exception being the track "Place To Be," which is a stunning vocal duet with a soaring female voice done completely in octaves. The overall vibe of the album is perfect as the last dance parties of summer give way to the mellowness of autumn. (Sing Engine Records)

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