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RECORD REVIEW: Blair
54
Die Young
Brooklyn, NY Produced, mixed & engineered by Keith Ferguson
Drums engineered by Chris Finney and Ben Lorio
Mastered by Bruce Barielle
Recorded in New Orleans at the Music Shed, Scott's house, Adam's apartment and Fabienne's shotgun
Mixed at Axis Studio in Kenner, LA
By: Lulu McAllister
March 2010
 
Although the alt-rock sweetheart Blair Gimma (known simply as "Blair") is happily settled in Brooklyn at the moment, her first full-length album has done some interstate travel. Written and recorded over the last five years, Die Young combines the best elements from the earthy 20-something's time traipsing around L.A.'s artsy Silver Lake and Echo Park neighborhoods with the tail-end of a musically varied adolescence in her jazz and blues-saturated hometown of New Orleans. The album's storm of angry titles belies a sweetened pass through '90s-era garage daydreams with tickled electronic twists - meanwhile Blair carves a distinct path with edgy vocals and headstrong guitar.

Die Young is undoubtedly catchy - it's impossible to listen through the album without getting at least one of the 12 indie-pop tracks stuck in one's head - but, in most cases, even the simplest lyrics and bounciest synth melody get a shot of bluesy guitar and Blair's beautifully anguished vocals. The descending notes and double-time tambourine at the chorus of album single, "Hello Halo," are irresistible, as are the muffled hits of cowbell, semi-aggro vocals and bristled rhythm guitar of first track, "Rampage." Flip to bittersweet, Rilo Kiley-reminiscent "Candy in the Kitchen" and bounce along to a poignant account of childhoods alone with Whitney Houston playing on the kitchen stereo.

Blair takes a slower turn on the beautiful "Die Young" and distilled "So That's It"; "Heart" finds her singing, "My heart yearns and my heart aches" with such sincerity that it's hard to remember that she was nearly shout-singing a few tracks prior. Jenny Lewis, watch out! (Autumn Tone)

http://www.myspace.com/musicblair



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